PRACTICE magazine has covered the story of the students working with Junko Yamamoto through her year-long practice-based course at Boston Architectural College in 2018. Read the article [here]
Related posts
[ARTICLE BY JUNKO YAMAMOTO - PUBLIC ART INSTALLATION IN GHANA]
[PUBLIC ART IN GHANA COMPLETE!]
[PUBLIC ART INSTALLATION IN GHANA]
In summer 2018, Junko Yamamoto has travel to Ghana to install an award-winning public art project.
Read her story here: [ article ].
Related posts
[PUBLIC ART IN GHANA COMPLETE!]
[PUBLIC ART INSTALLATION IN GHANA]
Our project for a guest house/spa competition in Latvia titled ‘A Whisper in the Forest’ has been awarded a third prize in the Urban Design & Architecture Design 2018 by APR Magazine.
Details of the project and the award can be found here:
www.architecturepressrelease.com/a-whisper-in-the-forest-by-ivy-design-associates/
http://www.architecturepressrelease.com/udad-2018-runner-up/
Junko Yamamoto shared the Ghana Public Art project at Leers Weinzapfel Associates (Boston, MA).
Related posts
[Article by Junko Yamamoto - PUBLIC ART INSTALLATION IN GHANA]
[PUBLIC ART IN GHANA COMPLETE!]
[PUBLIC ART INSTALLATION IN GHANA]
Junko Yamamoto presented the Ghana Public Art project at Imai Keller Moore Architects (Watertown, MA) and Payette Associates (Boston, MA).
Related posts
[Article by Junko Yamamoto - PUBLIC ART INSTALLATION IN GHANA]
[PUBLIC ART IN GHANA COMPLETE!]
[PUBLIC ART INSTALLATION IN GHANA]
A group of Comprehensive Studio from RWU students traveled to Malmö and Klippan with Roberto Viola Ochoa to experience the architecture and landscapes of Sigurd Lewerentz.
The studio is focusing on designing projects within the Malmö Eastern Cemetery, one of Lewerentz’s work that spanned most of his professional life, from 1919 to 1975. Given the duration of the project it gives us a good insight on how Lewerentz’s approach evolved over the years.
The students begun to understand in more detail the level of complexity in his work, so difficult to grasp through readings or photographs.
In Klippan we had the opportunity to visit St. Petri, consider his masterpiece. We were guided by Anders Clausson, a chemist, resident of Klippan, who fell in love with the church decades ago, and who has become an unofficial guide and point of references for all questions regarding St. Petri. He showed us every corner of the building, including the basement, he shared with us numerous anecdotes that helped us develop a better understanding of all the complexity and symbolism hidden in the design.
In the Eastern Cemetery in Malmö we were guided by Mrs. Pia Andersson and Mr.Carlsson, who provided access to all the hidden corners of all the chapels and crematorium in the cemetery.
The students were also exposed to the richness of the landscape settings which make of this cemetery an idyllic setting.
We are pleased to announce that iVY Design Associates has been awarded third prize in the 2018 International Architecture Awards for our project Sevigny-Lisdero Residence in Lexington.
To find out more about the awards you can click on the following links:
http://www.architecturepodium.net/portfolio/sevigny-lisdero-residence-ivy-design-associates-llc/ http://www.archocity.biz/architecture/sevigny-lisdero-residence-ivy-design-associates-llc/ http://www.archidose.info/architecture/sevigny-lisdero-residence-by-ivy-design-associates-llc/ http://www.arckonnect.com/articles/sevigny-lisdero-residence-ivy-design-associates-llc/
Junko Yamamoto, together with her teaching assistant, students from Boston Architectural Collage, and the Korase people, has completed public art installation in Ghana.
Related posts
[Article by Junko Yamamoto - PUBLIC ART INSTALLATION IN GHANA]
[PUBLIC ART INSTALLATION IN GHANA]
The installation took place in Korase, a rural village near Kumasi, Ghana. The Boston team (Junko, Matt, Cenxue, Ren) has stayed in the adjacent village Kwaso for two weeks to complete the construction. Junko stayed an extra few days and completed the wall painting. Many thanks to all the people who supported and helped the team complete the project.
[ More Photos ]
Roberto Viola Ochoa was invited to participate in the 10th anniversary of the Catedra Jorge Montes at the UNIS in Guatemala.
As a subject, the muse of most architects, the Barcelona Pavilion by Mies van der Rohe and Lilly Reich was selected. Its ambiguous structure, spatial qualities and its playful, and at times mischievous, reflections construct an experience that even today is magical.
The Fundacion Mies has invited architects and artists over the years to temporarily intervene in such charged condition. In the spirit of these types of exercises, the students were asked to create an experience within the experience that had to have its genesis on some aspect of the pavilion they found deserved to be highlighted.
There were six teams composed of architecture and interiors students from UNIS and the Universidad Catolica de El Salvador. A fruitful 2 days of work resulted in a wide range of projects that included an homage to Lilly Reich, a ghost, flooded voids, playful fabrics and viewing platforms…………all sharp and specific about the questions asked.
At the end, the proposal ‘Material Inmaterial’, a powerful play on reflections and structure, won the mini competition.
[ More Photos ]
Junko Yamamoto, together with her teaching assistant and a group of students from Boston Architectural Collage, is installing public art in a rural village in Ghana in August 2018!
The preparation for the project took place at the BAC, with a group of 10 students.
[ More photos ]
Related posts
[Article by Junko Yamamoto - PUBLIC ART INSTALLATION IN GHANA]
[PUBLIC ART IN GHANA COMPLETE!]
Roberto Viola from iVY was invited by UNIS to conduct a charrette focusing on matters related to globalization in architecture.
The short design project focused on the idea of learning to see, on appreciating the identity of each place as a response to the overarching homogenization the global condition brings.
Students from UNIS, Universidad de San Carlos, Universidad Mariano Galvez and Universidad Catolica de El Salvador participated in the charrette where they were asked to design two dwellings for stargazing in Roccascalegna, Italy; with the caveat that it had to have its genesis in some aspect of the Domus.
The participants were divided into groups composed by members of different universities and different disciplines (architecture and interiors) and they worked very hard in each proposal.
At the end, the mini competition was won by Group 1, composed by Pablo Corado, Marcela Balcarcel, Laura Figueroa, Elda Cristina Sierra Hernandez and Jose Gustavo Perez Hernandez with a beautiful project titled "Casa Tra Le Stelle", in which two 'fighting sister houses' capture the landscape between walls and construct an illusion with reflective water elements.
The catedra could not have happened without the incredible organization and support of the graduating class of UNIS and Roberto Enrique Sosa, UNIS Professor and Director de Estudios of the school.
[ More Photos ]
The students from Comprehensive Design Studio had the opportunity to present their on going work to professionals from different offices and disciplines in a gallery style review.
The workshop took place with the support of SMMA's offices in Cambridge, which not only contributed with the space and the logistics, but also with a substantial number of critics.
The students are dealing with a difficult question of connecting the past with the future in the city of Pompei. A challenging project that has to address questions of identity, appropriateness and the civic condition.
At the end, the conversations were insightful and the group of students left inspired and motivated to continue with their search.
[ More Photos ]
Posted by Junko Yamamoto
Although the concept is not new, I feel that we have increasingly been holding discourse on the idea of “community” or something “shared.” When Ai-san and I were talking about Share Houses in Japan the other day, it reminded me. It seems that we are in need of re-defining the concept, or re-discovering its meaning. Our studio topic last semester (Kersten and David) was “commune,” and the previous studio with Atelier BowWow also had community-related design project (Kamanuma in Chiba, Japan). The discussions with those who we met during the Atelier BowWow studio trip (Hayashi-san and the local people in Kamanuma, Iida-san at Loving Pork Facility, and more), the story about “Ibasho Cafe” by Kiyota-san, and a similar communal project that Ueta-san, one of my GSD friends, showed us, and so on… While pondering on these projects and stories, I went to see this exhibition titled, “Community Fantasy and Future” by ASSEMBLE, a group of 15 artists and architects based in London.
The project is wonderful. It was awarded the Turner Prize in 2015. They successfully revitalized the deteriorating Granby Streets area of Liverpool through workshop-centered renovations of the abandaned houses with the local people. Their production process is unique and artistic, which they call “speculative design.” Although the definition may vary, they define it as the area between art and design — “incorporating design as a problem-solving method while approaching art as a means of raising social issues rather than of self-expression.” This is all “art,” in my opinion. This project seems to show the inherent role of the arts, which I believe is to “connect” — connect between people, between people and objects, between people and space (whatever the type of art it is). Art becomes the source of design, which may turn into architecture and/or products.
「共同体の幻想と未来」展
先日銀座であいさんとお茶をしたときにシェアハウスについておしゃべりをしてふと思ったのですが、最近「共同」もしくは「共同体」というコンセプトがどんどん意識され、知的化されているように思います。新しく始まったことではないですが、なにかまた新鮮な感覚です。前学期のKerstenとDavidとのスタジオのトピックも「Commune」でしたし、その前のアトリエワンさんとのスタジオもコミュニティーに関係したプロジェクト（千葉県鴨川市釜沼）でしたし、そこで知り合った活動家の林さんや長老さんを含める地元の方、恋する豚研究所の飯田さんのお話、ハーバードに特別研究員として来ていらっしゃる清田さんの「居場所カフェ」のお話、そしてGSD仲間の上田さんが関わったプロジェクトのお話などなど、直接見て聞いたお話がいろいろと思い起こされました。
そんな中、一昨日「共同体の幻想と未来」展を見てきました（あいさん、教えてくれてありがとう）。「アセンブル」という１５人の建築家集団が、地域住民とともに行った地域再生プロジェクトで、「芸術の社会的存在」が評価され、ターナー賞を受賞したプロジェクトです。
今は「公共性」とか「共用／共有」が自由にバーチャルな世界で成立していきますが、その「時代環境のドラスティックな変化に際して、市民的公共性の本源を今一度遡及し、再構築する」というコンセプトが、アセンブルの活動の根源になっているようです。
あと、面白いなと思ったのが、アセンブルは「デザイン」や「アート」の中間領域を「スペキュラティブデザイン」として定義して、それを「問題解決のデザインでも、自己表現としてのアートでもなく、社会構造に内在している共同体における歪みが多くの人々の営みにいかに影を落としているかを多元的に問題提起していくもの」としていることです。「スペキュラティブデザイン」の定義も様々ですが、それ自体も「アート」とひっくるめていいような気がします。私はどんなアートにせよ、（鑑賞者または共作者として）複数の人が入り込むことによって、人と人、人ともの、人と空間が繋がっていくのだと思います。私自身アーティストとして「物や事の本質、自分のうちにあるものの追求」ということをやってきましたが、アート本来の役割というのは、「つなげる」ということではないでしょうか。アートがデザインの原動力になって、それが建築になったり、プロダクトになったリ。そんなアート本来の役割がよく感じられるプロジェクトだなという感想です。
Students from Comprehensive Design Studio from Roger Williams SAAHP, lead by Nate Fash and Roberto Viola Ochoa had the opportunity to discuss their projects with Emma Rubin, Michael Shearer, Nicholas Rekstad and Aaron Einck from ARUP in Boston.
Their expertise in matters of environmental, mechanical and structural engineering provided a higher dimension and rigor to the work produced by the students.
The experience was a true luxury, not only for the students but also for the instructors, and it was possible thanks to the unconditional dedication from the members of ARUP, whom semester after semester give us all of their attention.
[ More Photos ]
Students from Comprehensive Design Studio from Roger Williams University lead by Roberto Viola Ochoa and Nathan Fash had the opportunity to present their work at the offices of SMMA in Cambridge.
The format allowed the students to receive feedback from professionals from different disciplines, from different offices in the Boston area including iVY Design Associates Principal, Junko Yamamoto and iVY designer, Thomas Barker.
The brief and intense critique sessions focused on every aspect of design, from urban/landscape strategies to the more technical layers related to systems.
At the end, the students left SMMA inspired and motivated to continue to develop their projects and with a much wider understanding of all the issues involved in the design of a building.
The review was possible thanks to the commitment of time and resources from SMMA who contributed with a generous number of critics and a remarkable and outstanding logistical support.
A total of 42 critics and 21 students participated in this event.
[ More Photos ]
Our guest today was my friend, Ruben Segovia. He talked about "dictionary of images," ways of starting a project using images, and visual representations of context -- his observations of images/artworks, and the way of collecting and visualizing site information were very interesting and inspirational.
[Advanced Design Workshop: Visual Representation of Ideas
Visitors so far:
Sasha Francoeur & John Berger
Ivana Beljan
Taro Kagami
Zhanina Boyadzhieva
Langer Hsu
Ian Taberner
Zack Matthews & Zahra Safaverdi
Randall Imai
Ruben Segovia
(More to come)
ボストン建築大学では「デザインワークショップ：発想の視覚的表現」というクラスを教えています。今回はゲストとして友人のルベンに来てもらいました。
プレゼンでは、絵のディクショナリー、プロジェクトを始める時の概念的なイメージやコンテクストの視覚化などのお話しでした。彼独特のイメージ化されたプロジェクトのコンテクストはとても面白く、インスピレーションになりました。
The Comprehensive Studio class from Roger Williams University taught by Roberto Viola Ochoa traveled to Copenhagen to get acquainted with the sites currently under study in the southern district of Sydhavnen. The visit allowed the students to become aware of the qualities of this emerging neighborhood with a very particular urban structure in which building, water and parks are in perfect balance.
The students also had the opportunity to visit different sectors in the city and develop a better understanding of how it grew and developed over time.
In addition, the group visited the church in Bagsvaerd by Utzon and the Mälmo Cemetery by Lewerentz, in Sweden. These visits were informative to generate discussion on questions related to ritual, procession, context, symbolism among others being studied in the current semester.
[ More Photos ]
Our guest this time was my former boss and friend, Randall Imai. His presentation included slides from his talk at Urban Design class at MIT - Interesting discussion about 'diagram' from the urban design perspective, as well as his incredibly detailed, story-telling hand-drawings. The proposed use of space and the narrative are well articulated and effectively communicated through his 5-color hand drawings.
[Advanced Design Workshop: Visual Representation of Ideas
Visitors so far:
Sasha Francoeur & John Berger
Ivana Beljan
Taro Kagami
Zhanina Boyadzhieva
Langer Hsu
Ian Taberner
Zack Matthews & Zahra Safaverdi
Randall Imai
(More to come)
ボストン建築大学では「デザインワークショップ：発想の視覚的表現」というクラスを教えていますが、今回はゲストとして私が以前勤めていた設計事務所の社長であり友人であるランドルに来てもらいました。
プレゼンでは、マサチューセッツ工科大学の都市計画課の授業でお話しされた内容と、長年コミュニケーション手段として使っている手書きのドローイングを紹介していただきました。都市デザインという観点から見たダイアグラムの使い方や、手書きのドローイングが、どのようにクライアントにとって受け入れやすく、デザインやストーリーを伝えるための効果的なコミュニケーション手段になっているのかなど、面白いディスカッションになりました。
Students at Harvard Graduate School of Design with professor Ewa Harabasz visited two New York artists this past Saturday: Mark Dorrance and Anton van Dalen for the “Drawing for Designers: Technics of Expression, Articulation and Representation, ” course.
ティーチング・アシスタントをしています、ハーバードデザイン大学院の「デザイナーのなめのドローイング」というクラスで、ニューヨークのアーティスト、マーク・ドランスさんと、アントン・バンダレンさんを訪問しました。
The Universidad del Istmo (UNIS) in Guatemala invited Roberto Viola to participate in the Catedra Jorge Montes 2016.
A series of lectures, conversations with faculty and students were organized by an amazing group of students lead by Lourdes Monterroso.
As part of the event, a three day design charrette was organized in which a group of students from several schools in Guatemala conceptualized a design for a hypothetical Social Center for Refugees in Zurich (loosely based on a similar exercise offered at Roger Williams). The exercise was lead by Roberto in collaboration with architect Roberto Enrique Sosa, Professor at the UNIS.
This was a chance for students from Guatemala to get exposed to other ways of approaching design in an unfamiliar and radically different environment.
A total of 5 groups participated, each with 4 to 5 members. Each team presented a proposal at the end of the 3 day charrette and a winner scheme was selected by the participants.
At the end, the project named Ubergang design by Mildred Jeaneth Ortega, Byron Javier Cardenas, Maria Celeste Castaneda and Ana Marleny Carias took the first prize.
